Sample modeling the trumpet serial 102495

Sample modeling the trumpet serial 102495

Jul 05,  · I see why Sample Modeling did this - sampled falls only work at one tempo, which is the one they were recorded at. The way falls work in The Trumpet, it tends to sound like a slide downward on the notes of a keyboard, which results in a detectable disconnection of the notes.5/5. Jul 10,  · Sample Modeling The Trumpet v3 Discussion in 'SAMPLE Talk' started by Daryl, Jul 3, Page 2 To our knowledge, The Trumpet, The Trombone and French Horn & Tuba are the only sample-based anechoic virtual instruments developed so far." PS: Thanks, Daryl, for the heads-up about this update. Sample Modeling is something else, but I don. The package includes three different B♭ Trumpets, a Cornet, a Flugelhorn, a German Trumpet, and a Piccolo Trumpet. The base material of the instruments consists of MB of samples, chromatically performed by a professional trumpet player over a very wide dynamic range. All samples are unlooped, and have a minimum duration of about 10 sec. HOW TO GET THE PHYSICAL (BOXED) PRODUCT. Despite the fact that the Samplemodeling™ box in our homepage is only virtual, since The Trumpet 3 was conceived as a downloadable item, some customers asked for a "boxed" version of the product. However, a paper box, along with CD manufacturing and labeling, inlay card, printed manuals, plus handling, storing and shipping the . Jul 05,  · Whoa that's crazy. I just went to the Sample Modeling site yesterday to try to find news about when the Trumpet and French Horn/Tuba V3 updates were going to come. The Trombone V3 was a huge step up, been waiting for this.

The Trumpet, Virtual trumpet from Sample Modeling. Log in Become a member.

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Sample Modeling The Trumpet. Product presentation.

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    Sample Modeling The Trumpet v3

    Write a user review Ask for a user review. Format is Kontakt 2 Player, standalone, or you can load it in Kontakt 3. The samples are multi-sampled and looped. Sounds are realistic and great quality.

    Created by Peter Siedlaczek & Giorgio Tommasini

    Yes, they're varied enough, you get completely different instruments - three Bb trumpets, piccolo trumpet, German trumpet, and cornet. Mutes are available for the Bb trumpets.

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  • I can't emphasize this enough. Installation is relatively easy. The installer asks you where you want to put the sample data, which is around MB. A word of caution, the Kontakt 2 player that the installer places on your drive is the one that the Trumpet is associated with.

    I had to launch Kontakt 2 Player in standalone mode.

    The Trumpet

    Also, I have Kontakt 2. I think this is a bug, I have to contact Sample Modeling about it. The next confusing thing, and maybe the most confusing thing initially, is that amplitude of the Trumpet is controlled by CC11 from your expression pedal, NOT via velocity on your MIDI keyboard. This led me to initially conclude that I'd wasted my money on yet another set of static and lame samples.

    Crescendos and descendos sound brilliant and very realistic.

    Sample modeling the trumpet serial 102495

    I haven't encountered any other brass VI's that work this way, or this well. Keyboard velocity affects a number of things - note-on attacks, primarily. But it also controls a wide variety of other behaviors. If you hit it softly the speed is slow, and faster if you hit the note hard.

    Keep in mind that amplitude is always controlled by the expression pedal, so you can be hitting notes softly but still have a loud, bright sound, if your pedal is forward.


    This takes some getting used to, as we keyboardists are accustomed to notes getting louder whedn we strike the keys harder. With practice, I was able to get really cool slurs, both upward and downward, which sound totally convincing.

    Sample modeling the trumpet serial 102495

    Trills are accomplished by holding a note and then rapidly triggering additional notes in succession, just like on a monophonic lead synthesizer such as a Minimoog. Since it's a fine line between what you'd call a shake and a trill, you can also do shakes this way.

    I suppose one person's shake is another person's trill, it depends on your intervals played and the speed between them.

    Created by Peter Siedlaczek & Giorgio Tommasini

    A drop down menu in the GUI indicates which ones control what, but a better guide to their function is in the manual, which is well-written. My favorite keyswitch functions are on F1 and F 1 - play a note, and then just before releasing it, hit either one of these keyswitches, and you get a little end-of-note shake, which is so typical of trumpet players.

    The cornet and the piccolo trumpet don't have mutes. The other mute options are straight, cup, bucket, harmon, and a harmon-straight combination, and they're all very good.

    The harder you hit B1, the faster the fall. This works really well. One note on the fall - it is a succession of notes, not a single sample of a performed fall. I see why Sample Modeling did this - sampled falls only work at one tempo, which is the one they were recorded at. The way falls work in The Trumpet, it tends to sound like a slide downward on the notes of a keyboard, which results in a detectable disconnection of the notes. Something like Yamaha's VL technology models falls really well, better than The Trumpet does, but in every other area of realism The Trumpet sounds more realistic than VL.

    The Mod Wheel controls vibrato and as you push it forward, the vibrato becomes a shake. A big word of caution, and my one big complaint with The Trumpet, is that if you push the mod wheel all the way forward and leave it there, the sound disintegrates into a glitchy mess.

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    You have to move the mod wheel forward and back rapidly to achieve shakes, never leave it all the way forward. The sampling engine can't handle really rapid back and forth pedalling, the sound just gets glitchy and broken up.

    The Trumpet

    I found that it was more effective to create my own vibrato with deft use of the pitch bend wheel something the manual encourages, by the way. Once I got familiar with the ovderall behavior of the Trumpet, using the expression pedal, controller wheels, velocity, and the keyswitches, I realized what an awesome product it is.

    The better you get at controlling it, the more realistic your trumpet parts will be. Sample Modeling is rumored to be working on other instruments the trombone would be my next choice , and I can't wait to see and hear what they next come up with. Did you find this review helpful?

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